Se trata del valedor Edgar Valencia, de el sur de California y estuvo platicando un ratito largo y tendido conmigo en Pineda de Mar, en la costa catalana de España, con motivo del Psychobilly Meeting, este mismo año.
Edgar por entonces me habló de su banda de Psychobilly que se llama Lost Boys y no dude en entrevistarlos cuando tuve tiempo y predisposición.
Ver entrevista a Lost Boys aqui
Edgar, que antes de ocuparse de la parte mas ritmica de Lost Boys había tocado en The Southern Wolves, se caracterizó, desde hace años, por ser una fuente de Psychobilly de cualquier tipo de variación, demostrando que el gusto esta en la diversidad. En su canal de Youtube podréis encontrar muchas muestras de Old School Psychobilly, así como Neorockabilly, Modern Psychobilly o como dice el...
Fuckabilly
Con su ayuda vamos a tratar de llegar a todas las bandas de Psychobilly y derivados que podamos de los Estados Unidos de América, porque ya lo hicimos con la escena Psychobilly méxicana, con la ayuda de Kat, Kumo, Lluvia, Rod, Viry y Fiambre y el bueno del Pep Rdz, como no decirlo, esta vez también nos vamos a valer de ayuda para acercarnos a los Lobos que acechan en el lejano oeste.
Ver especial Psychobilly en México aqui
Acabamos de llegar a EEUU y que mejor manera que tras pasar por los Lost Boys, Radarmen y Uhh Random Bunch? cómo los grupos que han tendido este puente entre España y Estados Unidos, sigamos conociendo tan espectaculares como The Vectors y su Rockabilly castizo mal intencionado.
Ver entrevista a Radarmen aqui
Ver entrevista a Uhh Random Bunch? aqui
Hi,
who is in “The Vectors” and what instrument do you each of you
play?
Watts:
My name is Watts and I play guitar.
Skum:
I’m Skum, I play drums.
Zeke:
Zeke, I do the vocals.
Gretch:
I am Andres a.k.a. Gretch and I play the upright bass.
What
is the musical genre or sound of the group?
Zeke:
Early-‘80s rockabilly…uh…style.
Watts:
And more rockabilly.
Zeke:
(Laughs) And more rockabilly.
New-wave-abilly?
Why
“The Vectors” as a name?
Zeke:
That name refers to vector line graphics video games from the early
‘80s, like Asteroids and Tempest. When we started the band, I told
the other guys to come up with a name, but after a few weeks, they
still had nothing, so I made a list of examples just to give them
some ideas. “The Vectors” was the first or second name on the
list and right away they said that they wanted to use it. I tried to
read them the rest of the list, but they didn’t wanna hear it. I
told them that there has been at least one punk band and one garage
band with the name and they didn’t care. So here we are.
Where
are you guys from?
Zeke:
I’m from New York…I live here in L.A. and have lived here for
four years.
Skum:
I’m from the Valley…Van Nuys…Born and raised.
Watts:
Born and raised in L.A.!
Gretch:
Boyle Heights, east of the L.A. river.
Zeke:
As opposed to IN the L.A. river.
When
did you start playing as “The Vectors”?
Skum:
I’ve been playing a year now with The Vectors. I was their third
drummer.
Watts:
I joined the Vectors about a year ago, I took a leave of absence and
I’m back now. I answered a Craigslist ad and here we are.
Zeke:
I think each of these guys is underselling themselves. I think…Skum
has been here almost two years- almost the whole time the band has
been together. And you been here (points at Watts)…almost a
year-and-a-half.
Watts:
My memory’s foggy.
Zeke:
Yeah, mine too. But…whatever…We’ll figure that out later. Skum
replaced two previous drummers, neither of whom lasted more than a
single practice, so he is, in effect, an original. I’m a founding
member of the band, been doing this almost two years. Gretch was the
first guy I asked about staring the band, so he’s a founder too.
Are
any of you in other groups or projects?
Skum:
I also drum for two bands…uh…One called “Tres Muertos”;
psychobilly, and another one called “The Devil Wrays”;
psychobilly.
Watts:
I’m in a rockabilly band called “The Vargas Brothers” and a
rock’n’roll band called “The Rip ‘Em Ups”.
Zeke:
I got a band called “Mania” with some local punks in East L.A.
I’m sure they’re nice people.
Zeke: They’re very nice boys.
Zeke: They’re very nice boys.
Gretch:
I also play upright bass in a band called “Spectre” which is more
psychobilly-influenced, we have a self-titled EP on Killjoy records.
What
are your influences? (Musical, literary, film, etc.)
Skum:
I mostly listen to jazz and swing for…uh, Vectors drumming.
Zeke:
What are other influences you got?
Skum:
You mean specific names? Vectors. (all laugh)
Gretch:
Early rockabilly, ‘60s garage, and psychobilly.
Watts:
As for me, uh…all roots music in general. For this particular
project I really like early-eighties/mid-eighties neorockabilly like
uh...Restless, Nitros, etcetera.
Zeke:
Yeah all that- Polecats, early Stray Cats…We’re not trying to
sound like any of them particularly, but that is definitely…where
those guys were coming from is definitely…we’re coming from the
same spot. With the same sort of influences, the stuff that was
around at the same time, the stuff that influenced them- the stuff
that they came out of and the stuff that was around at the time, even
in the popular culture…All that stuff is stuff that we feel and
that influences us. But also I read a lot, write a lot, collect toys
and music and other things, and a there are aspects of each of those
things that influence me, but we ain’t got time to mention them all
here.
For
each of you, what are your top three bands?
Gretch:
The Cramps, Kittyhawk Bomber Billies, Torment…
Watts:
Oh. That’s too hard to answer. Mainly guitar players for me, I have
too many favorite guitar players. I can’t possibly have…a
favorite.
Zeke:
Yeah, that question is a little silly. Like, who cares? It’s not
the silliest question, but it’s silly.
Skum,
what are your three favorite bands?
Skum:
I don’t know. I…
Zeke:
Yo, you like MF Doom.
Skum:
But that’s not really a BAND…
Zeke:
So what?
Skum:
You want psychobilly? I guess The Krewmen. I got ‘em tattooed on
me…
Zeke:
You got Shark Bait tattooed on you too…
Watts:
Ricochets, Ricochets, aaaaaaaand Ricochets.
Zeke:
Mine? I want Sigue Sigue Sputnik in there somewhere….Three of my
favorite bands wouldn’t even register as rockabilly bands. I like
stuff like Rudimentary Peni and Septic Death and new wave and old hip
hop and hardcore, power pop…You want three favorite rockabilly
bands? Charlie Feathers is on there, Johnny Burnette… Carol
Burnette. (All laugh)
Zeke:
Funny you should ask, because we just finished doing a bunch of
recording today! In our man Bobby’s studio- Minor Chord Studio. So,
all the people who read this, come to California and record with
Bobby. Drop everything and come here now, you humps.
Gretch:
Hopefully, we’ll release something ASAP. We have options open. What
do your songs talk about?
Watts:
Oh, wow. Love, travel..No, I don’t know.
Zeke:
You guys can put your two cents in.
Watts:
You! You write ‘em.
Zeke:
What do our songs talk about? Anything from emotion to…uh…monsters.
(Watts laughs)
Watts:
Mythological creatures.
Zeke:
It depends on what we feel at the time…We try to make them not
about stuff so much on the silly side.
Skum:
Mostly lyrics are the last thing that we do. The music is what we
write first.
Zeke:
Yeah.
Skum:
Lyrics come later, so I guess it depends on the mood of the music.
Zeke:
Absolutely. We definitely don’t just say ‘This is what we’re
gonna write a song about’ and then just make it fit the next thing
that Watts comes up with or what Gretch comes up with. We write
lyrics to an existing piece. “Lost In the Storm” is about being
emotionally battered in a relationship, and “Untamed” is about
just going out at night and wilding out. But we don’t know what
they’re gonna be until the music is written. Any notable bands
you’ve shared the stage with?
Zeke:
Fuck, that’s a gay question.
Watts: We’ve played with a LOT of bands. I dunno…
Zeke: Who cares? It don’t matter what bands we’ve played with, it matters what we do…What are we gonna say? That we played with such-and-such or so-and-so? So what? There are are a lot of shitty bands playing with a lot of good ones, so who cares who they’re playing with? If you’re a shitty band you’re a shitty band and who you open for does not make you a better band. I agree.
Watts: We’ve played with a LOT of bands. I dunno…
Zeke: Who cares? It don’t matter what bands we’ve played with, it matters what we do…What are we gonna say? That we played with such-and-such or so-and-so? So what? There are are a lot of shitty bands playing with a lot of good ones, so who cares who they’re playing with? If you’re a shitty band you’re a shitty band and who you open for does not make you a better band. I agree.
Do
you have any upcoming shows?
Zeke:
Upcoming shows?
Skum:
Do we?
Zeke:
Actually, this is the first time in a year or so that we DON’T have
anything booked. We WERE doing back-to-back gigs for a while, but we
haven’t taken any shows in a month or two because we knew that we
had to record and write new stuff. We are back on track, though, so
we are taking bookings again now.
Any
new bands emerging out of your area? In your guys opinion what is
unique about the Southern California Psychobilly Scene? What do you
guys think the future holds for psychobilly in your area?
Zeke:
That’s a good…
Gretch:
As of recent, I would say there’s been less shows than in previous
years, but that hasn’t stopped more bands from popping up randomly,
each with a unique sound. As for the future of the scene and the
music, I have no doubt it will continue strong. I never fail to see
new faces and meet new people. It’s a genre that is constantly
evolving.
Zeke:
Listen to you.
Skum:
I’m not saying anything because will pay for saying anything. Take
it away, Zeke.
Zeke:
There are a few guys who I have seen improve over the years here. The
Sindicates are a 100% better band than they were when I first heard
them four years ago. Those guys are dope. We like The Lost Boys…They
are coming from a good place and they are probably going to a good
place. Grims and Peabrains are dope. Daffys would be dope if they
gave a shit. But newer bands are hit or miss.
Skum:
Deranged is coming up. They just got a new drummer.
Zeke:
I ain’t heard them, I don’t think.
Skum:
I haven’t had a chance to hear… at least a full song yet, I’ve
just seen videos on Instagram. I haven’t had a chance to catch them
live
Zeke:
But you like what you’ve heard.
Skum:
Yeah.
Zeke:
Okay, dope, dope. Our boy Ben’s band Jesse & the Rock’N’Roll
Three are killer. And we just saw Watts’ other band The Rip ‘Em
Ups play last night at the Cochran Club and they are mint. (Guys
start talking about some unrelated stuff)
Zeke:
Last thing is, uh, I’ll say this about…the Southern California
psychobilly scene is very active, but you gotta separate the
psychobilly bands who are good from the fucking haircuts. ‘Cause
you got all the “haircut” bands who just think that an upright
bass and a wedge all of a sudden makes you into a good psychobilly
band. But 90% of those bands are shit, because they don’t know how
to write songs and they’re just about image and they’re not about
sound, or quality sound, at all. You gotta have both. You gotta have
everything. If you have one and not the other, well, then you’re
not gonna be successful. People wanna see crazy people making good
music. If you’re not that crazy and you make good music, people are
gonna be like…ehhh, maybe…But if if you’re crazy and make good
music, people are gonna be all about you. A lot of people (bands)
think you gotta just LOOK crazy and not BE crazy and not show and
prove and be a shit band and it just doesn’t matter and I’m tired
of seeing shit bands- I’ve been seeing these shit bands for decades
in every genre and I’m sick to death of it. There’re good bands
in Southern California, there’s good psychobilly bands, but too
many people just, like, latch onto psychobilly like it’s a gimmick
and not a workable genre.
Watts:
I agree. I concur.
Zeke:
Psychobilly is big, it’s not as big as it was, but that’s because
there’s not as many posers out there. People who just jumped on it
‘cause it was a new thing, and now they’re fucking Soundcloud
rappers.
(Skum
laughs)
Zeke:
It’s not as big as it was, but it’s got a lot of potential.
That’s what I gotta say about that.
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